Keep in mind that that is Who's opinion that no one else in the industry shares, particularly program owners and producers.
Brat Camp executive producer Arnold Shapiro has legitimate credentials. He produced the landmark Scared Straight documentary that won an Oscar in 1978 bringing troubled kids face-to-face with hardened criminals in a real prison to steer them from a life of crime. On the other side, his name is also associated with Big Brother and Blow Out, reality TV at its worst.
Shapiro said Brat Camp (a name he was stuck with contractually when the show concept was imported from England) is a serious documentary that will offer hope to thousands of parents dealing with troubled, ill-mannered children.
Redcliff says it's a Documentary and takes it pretty damn seriously
http://www.redcliffascent.com/brat_camp_history.html SUWS calls it a Documentary
http://www.suwscarolinas.com/press-release.html as do all these other programs:
SageWalk was chosen for the Brat Camp series because our exciting, powerful, and transformational wilderness school is one of the most effective programs for reaching teens struggilng with behavior and academics.
http://www.sagewalk.com/bratcamp/ Mountain Homes Youth Ranch works with the same types of youth who would qualify for the popular TV show "Brat Camp".
http://www.mhyr.com/brat_camp.html?gcli ... JAodpWA_9A Oh hell, that's enough. Point made.
2004 GRIERSON AWARD
BRAT CAMP series
Shortlisted, Best Documentary Series or Strand.
Tamara Abood, producer for London based Twenty Twenty Television, which created Brat Camp, says antisocial behavior among teen and issues of family breakdown were grabbing headlines and political attention in Britain at the time the show was being conceptualized. "The idea was to show how our cousins across the water tackle these issues," Abbod says. "We wanted to educate and inform families."....
Redcliff claims they were hesitant...and... "The thing that swayed us more than anything else is we were promised we would have therapeutic control over how things would go," he says. "We told the company we would not alter the program or stage events. We were going to do whatever was necessary to make sure it was in the child's best interest. We were there to provide treatment."
When Redcliff was asked to do a sequel they declined, "For a program to continue to be successful on TV it need to continually up itself the next season. When you're dealing with troubled kids and the wilderness, the only things we could think of were tougher kids or worse weather. We're not willing to take that risk."
Don't ya know they weren't.